My closest and dearest of strangers...

Anonymous portrait, captured somewhere underneath New York City...

I have said, on many occasions, that riding the Subways of New York is a much richer source of entertainment than one would ever find from cable television. Being that I do not have access to cable television, I see the inherent reasons to question my credibility in making such a statement, but I would argue it to the death, regardless. I have recounted stories of humor and woe, mere moments in the lives of others witnessed while moving from one place to another, and I've told narrative tales of things which people are willing only to divulge to strangers in moments of vulnerability, happiness or anger, but the truth of the matter is that the best tales are those untold by the folks who seem to just blend in to the background...

Moving about the city via the Metropolitan Transit Authority is a mess of sensory chaos that closely resembles the lunch room of a junior high school on the day before Spring Break, amplified by one million impatient people trying to get to work on time using a system designed to best-accomodate a significantly smaller population. Getting everyone on the train in the morning is much like trying to squeeze toothpaste back IN to the tube. With so many sights, sounds and smells (yes, smells of every sort) occurring simultaneously, it is a wonder that transit passengers are able to even remember where it is they were going to begin with. Generally when the homeless man is screaming and ranting about his missing foot and all of the people to blame for life's inequalities on one corner of the train, an obnoxious teenager is blaring intentionally-offensive music on a loud speaker at the other, and in between are the haggard and frazzled folks just trying to keep it all together so that they don't murder anyone by the the time they get to work. It is generally in the faces of these people, forcing themselves to disconnect from the massive orgy of events going on around them, that I find something very real and beautiful; perhaps something more human that is expressed when the pressures to engage with others around them are taken away.

A few months ago, I jumped on a certain chic and electronic bandwagon and purchased a mobile device, which needs not be named lest everything in the world eventually become branded, but this unmentioned gadget (for which I have great affinity) has allowed me the pleasure of capturing images relatively quickly, easily and, in many cases, "on the sly." Prior to obtaining this new tool, I would always look about the train on my way from here to there and see the most captivating scenes of the most mundane of life's available moments, and wish for a way to share them. I have found in life, that my inability to easily connect with others has only increased my fascination with watching them from a safe distance and making observations. With as much time as I spend eavesdropping and staring at strangers, one would think I could write an anthropological study, but I've yet to draw any solid or insightful conclusions about my fellow human beings. In my quest for understanding, my prize is generally just additional confusion, however, without a full understanding, there has been at least an acquired appreciation for the aesthetic of the strangers I see around me, just passing the time until they are required to be productive again.

Now, each time I get on the train, I'm looking more intently than ever before, because I've started to document the beautiful nothings I see all around me. I take portraits of people I don't know, people who don't know me either and who are (most often) unaware of my presence. Discretely, I snap silent images of other passengers who strike me during these moments in limbo when we're together. Some are happy and hopeful, others look like the most sorrowful to ever have been thrust about underground, but many are just trying to get through their days with as much pleasantness as life can afford them. In these moments when people are so inwardly focused, it's like seeing them in a state between sleep and wakeful life. For whatever reason, I feel such a strong attraction to these moments and I can't stop my compulsion to capture whatever it is that I find to be so lovely. There is a comfort in being a part of this phenomenon. To be a part of a big swirling soup of the most diverse of human experiences all stewed together inside of a moving train for minutes at a time before the next scene change is something I hope never to take too much for granted.

Although my ethics have been questioned and issues of privacy have been brought forward, I feel like my anonymous portraits of my dearest and closest of strangers on the train have been one of my most effective ways of embracing my city and my love for its citizens. Perhaps I'm deluding myself to think that they're anything more than a mere annoyance brought forth out of sheer boredom, but I feel like my intentions can hopefully be felt in the images produced thus far (be they as low quality as they must, given that I am in no way a real photographer, nor will I ever claim to be). I'm just a friendly subway stalker who steals moments of the lives of strangers. I'm sure one day I'll have grown tired of paying attention to the others around me, but for the time being, I can't help but explore their beauty.

To see more of my subway portraits, click the image below for a public album:

A Year in New York City...

Self Portrait; One year in New York City and still going...

At the end of my street there is a little café on the corner complete with warm red-bricked walls, canvas awnings, a lovely wooden patio and windows that look in on candle-lit tables dressed with warm meals and cool drinks all year 'round. I walk by this little café nearly every day on my way to and from the train. It's one of the first sings I see in the morning, and one of the last things I see at night. This little corner establishment at the bottom of my little hill tells the story of each season. In the summer, the long narrow windows open wide, the tables are set out neatly on the patio with umbrellas and the patrons sip on drinks with lemon garnishes. In the fall, they decorate the exterior with pumpkins, gourds and straw bails while the windows slowly close and the tables eventually disappear from the outside, leaving a warm cozy scene behind the glass to be viewed in passing. In the winter the patio is covered with snow and ice while warm light glows from the within the frosty windows as guests hold tightly glasses of mulled cider and hot buttered rum, toasting the the year's end and the new beginnings ahead. Then, finally, the spring comes and the windows begin to open again, flowers begin to appear in the window boxes and a hopefulness fills the air as the tables and chairs return outdoors on evenings when the rain decides to take a short rest. I have witnessed the passage of each season on my street corner as I hurry from place to place. A year has come and gone, and like this rather insignificant genre scene that I have grown to love in my daily life, I am still here, a tiny little piece of the big city, with no sign of eminent departure...

A year in New York City, and what a year it's been. Although it's been a difficult year in many respects, I never knew I could love a place so much. From my humble beginnings in the rural mountainous American-West, to my now even humbler lifestyle in the heights of upper Manhattan, I have learned that even a year in the Big City can't change the fact that on the inside, I'll always be a just a scrawny little ne're-do-well from the sticks, and happily so...

In my first year as a New Yorker, I really feel like I've packed in a great deal of that good "character-building" life experience that teachers in high school always warned me about. My search for steady employment, having no skills or useful education to offer, lead me to a number of rather peculiar occupational adventures throughout the city. I managed to be both hired and fired in the same month by a pair of narcissistic old queens living in Liberace's meth-addicted playland (a.k.a. their lovely home) where I had the distinct task of recording the quantity, frequency and consistency of their dog's bowel movements, and helping them reorganize their collections of sequined fabrics and other bedazzled costume accessories. I learned that one can survive on little more than hot dogs and water for extended lengths of time, and still look like a million bucks. After working for several months as a receptionist for very wealthy clients in a very "zen" environment, I was able to appreciate my mother's old saying that "money don't buy class" is shamefully very accurate. Through my stint in holiday retail on Fifth Avenue, I learned that just because one comes from Europe, doesn't necessarily mean they have any more taste, manners or good breeding than trailer park housewives in rural Florida (in which case specimens from both locales were available for empirical observation). I learned that working 75 hours per week for three months in a row between multiple jobs can easily make any person lose their grip on reality. Most importantly, I learned that any ruts one may fall into in terms of career or any other facet of life can easily be transplanted to a new situation, and even after promising oneself never to work in a certain field again or repeat any other sort of habitual behavior, sometimes it's easy enough to creep back into old familiar places, temporarily of course, just to find oneself there 9 months later with no end in sight... (strictly hypothetically speaking of course).

Even with all of my apparent character flaws and personality defects, I feel like the city has been good to me. Even on my worst days here, there is always some moment when the clouds seem to part and something wonderful is illuminated, reminding me why I came here and why I love it. There is an energy to the city that is so easy to become wrapped up in like a warm blanket, and there is a comfort in knowing that you never really can be very lonesome with 8 million other people all around you (many of whom are much more miserable than you will ever be, so really, just get over yourself and enjoy life!). I love that if there is anything you could possibly want to experience in the world, there is at least some little piece of it available in New York. After my first year here, I feel like I've only just begun to see and know all of the things I want in this place, and I still have so much before me that is just waiting to be discovered.

I am very grateful to be in a city that I find so inspiring. Although I do miss my mountains and my big blue skies of Colorado, and the rustic and bizarre way I grew up with my hippie parents out in the middle of nowhere, I'm learning that many analogous rules can be applied in both the wilderness and in the city. Learning to make something from nothing really has proven to be useful as I'm poorer now than I can ever remember being, and so I'm grateful to my parents for raising me so uniquely. I now feel it is appropriate to raise my glass and toast to my first year in the city, and to as many more as life sees fit to give me...